BIRTH OF THE LEGEND"(Tennesseans
have elected to Congress) an individual named David Crockett, who had received
no formal education, could read only with difficulty, had no property, no fixed
dwelling, but spent his time hunting, selling his game for a living, and spending
his whole life in the woods." -- French philosopher Alexis de Tocqueville, on the problem with letting the lower classes vote.
On April 25, 1831, James Kirke Paulding's play The Lion of the West opens at the Park Theater in New York City. James Hackett (at right) plays the hero: Nimrod Wildfire, a colonel, a congressman, a great hunter, and "a gentleman from the cane." He wears an outrageous animal pelt on his head and makes fanciful boasts, repeating many of the things David has said. Crowds immediately make the association, and the play is a huge success for both Hackett and Crockett. By 1832, David's fame is growing wildly... even though he's not taking part in it. He is now deeply in debt and separated from his wife. He lives in failure, by himself, in Weakly County. He sleeps on the earthen floor of his cabin in animal skins, eating meals of bear meat with a Bowie knife and cane fork. Matthew St. Clair Clarke, a rich eastern Whig who works as the Clerk of the House of Representatives, visits David at his home in Tennessee. He tells David that the Whig Party sees him as their answer to Democratic President Andrew Jackson -- as the true representative of the "common man" -- and the party is interested in backing Crockett as their candidate in the next Congressional election. To energize David's campaign, they agree to publish a book of his exploits (and possibly to pay back some of the Whigs that have been loaning David money). When the biography is re-published by a larger company out of New York it becomes immensely popular, although David receives no royalties from the sales. It is part biography and part humor book, with several chapters being folk tales written in a thick Dutch accent (which is a popular form of storytelling at this time on the frontier). David becomes the second most famous man in the country -- after Andrew Jackson. But David's fame isn't based on war heroics or political achievement -- it's based on his personality. He becomes the first man in American history to be famous just for being famous. He's the first "celebrity." Strangely enough, David's notoriety is growing so quickly that it's beginning to fold in on itself: In creating dialogue for David in the book, the writer incorporates dialogue from The Lion of the West (which had, in turn, incorporated dialogue from David's speeches). Suddenly the real David and legendary Davy are stealing from each other, several times over:
1833: David runs again for the Twenty-third Congress and wins. Now he plays to his legend completely, posing for several portraits, but complains they make him look like "a sort of cross between a clean-shirted Member of Congress and a Methodist Preacher." In an attempt to create a painting that is more in line with his image, David poses for a full-length portrait with hunting dogs (he wanted mutts that looked like their tails had been bitten off by bears), a linsey-woolsey hunting shirt, broad rounded hat (no coon-skin), leggings and moccasins -- none of which he personally has, and must round up from all around Washington. He jokes that when he's elected president, he'll make the veteran who gave him the rifle "his Secretary of Defense." Painter John Gadsby Chapman attempts to write David's name on his hunting knife as an engraving, but can only fit in enough letters to spell "Crocket." David approves of the spelling, saying the second 't' is totally unnecessary. Chapman writes that Crockett "rarely, if ever, exhibited either in conversation or manner, attributes of coarseness of character that prevailing popular opinion very unjustly assigned to him."One day they meet on Pennsylvania Avenue, as the Colonel is coming out of a long congressional debate, looking "very much fagged." Chapman says, "You look tired, Colonel, as if you had just gone through a long speech in the House." Crockett answers, "Long speech to thunder ... there's plenty of 'em up there for that sort of nonsense, without my making a fool of myself, at public expense. I can stand good nonsense--rather like it--but such nonsense as they are digging up yonder, it's no use trying to--I'm going home." It seems the iconoclasm that makes David so popular among voters also makes it impossible for him to legislate. He is still unable to compromise with his peers in Congress, most of who he considers to be political swindlers. He makes more enemies -- even among the Whigs who have been backing him -- because he won't make deals in order to get their votes on his issues...and therefore loses support for his land bill, which is defeated once again. "I
have no other feelings towards Colonel Crockett than those of pity for his folly."
Finally man meets myth one night in Washington D.C.: James Hackett plays Nimrod Wildfire in a command performance for the Washington elite, with David in attendance. As Crockett enters the theater, the band plays a popular march written in honor of David: "Go Ahead: A March Dedicated to Colonel Crockett," and he takes his seat. Then Hackett appears onstage. Hackett looks "slantindickular" to Crockett in the audience, and Crockett looks back at him "slanchwise," using the words of Wildfire. David stands as man and legend face off. Then they bow to each other respectfully, as the crowd goes wild. (For a dramatization of the incident, click here.) "I know, that obscure as I am, my name is making considerable deal of fuss in the world. I can't tell why it is, nor in what it is to end. Go where I will, everybody seems anxious to get a peep at me."
But
illiteracy has never been much of a stumbling block in national politics. The
Whigs court him as a possible candidate for President. He tours the East and New
England, where huge crowds greet him. (But before leaving, he meets with former
Tennessee Governor Sam Houston, who has just returned from years in seclusion
living with the Cherokee. Sam is now hoping to obtain a grant to sell land in
Texas, a province of Mexico, and tells David of the huge tracts of game-filled
land, available for very little money.) David is intrigued, and begins writing
of Texas more and more to his friends and in his correspondence.
Davy Crockett almanacs appear -- entirely devoted to tall tales of him. They are supposedly printed in Nashville, under his authorship, but in fact are created back East, and David has no control over them, or their content. The early editions just copy tales from his books, but by 1835 the real writers are creating newer, more outrageous adventures that have nothing to do with the real man, or his life. The language grows cruder and less literate. This Davy crows: "It isn't every member of Congress that knows how to authorise as well as to speechify. And it remains to be larnt whether I shall go down to posteriors with most credit as a Congressman or a writer." (1836 Almanac, page 2). David is now the butt of the joke as often as he is the hero. He wades the Mississippi in stilts to keep his feet dry and his whiskey undiluted; he gets caught naked while sleeping with the wife of a stage driver, and has to subdue him with a fireplace poker that Davy thrusts down his throat. The stage driver was so impressed by David's fighting prowess that he promises to vote for him in the next election -- and then Davy adds: "This adventure I never told to Mrs. Crockett" (1836 Almanac, pages 33-34). David's legend is growing apart from him. He starts to grow tired of meeting people who are shocked "at finding me in human shape, and with the countenance, appearance, and common feelings of a human being." When Halley's comet appears; it is said that Old Hickory has commissioned Crockett to climb the Alleghenies and wring its tail off to snap a cold spell:
In real life, however, Crockett and Jackson don't get along quite as well. David responds that he'd rather wring Jackson's tail than Halley's, and then "authors" another book -- this time a mock biography, trumpeting Jackson's protégé, the bald Martin Van Buren, as "hair-apparent" to the presidency. In response, Jackson kills off David's land bill one last time, hoping to finally rid the Congress of "Crockett and company." On top of that, the Jacksonians conspire to make sure that David can't get a single bill on the floor of the House. They use David's new image to ridicule him, calling him "Zip Coon," "the Western David," and "David of the River" (shades of "gentleman from the cane"). David's Whig friends don't help, either -- their policy is not to give away public lands in small tracts to the poor, but to give it away in large tracts to themselves. And they realize he's too unpredictable to make a useful president. "I
have seen a great man. No less of one than Col. Crockett. I . . . sat close by
him so I had a good opportunity of observing his physiognomy. . . . He is wholly
different from what I thought him. Tall in stature and large in frame, but quite
thin, with black hair combed straight over the forehead, parted from the middle
and his shirt collar turned negligently back over his coat. He has rather an indolent
and careless appearance and looks not like a 'go ahead' man."
In response, David frames Huntsman, setting him up to look like he's trying to seduce a prominent constituent's daughter. But David's campaign tactics aren't enough (especially with Jackson's forces offering rewards as high as $25 to vote for Huntsman). David is defeated by "the timber-toe" in his bid for reelection. As far away as Arkansas, the Jackson press celebrates Huntsman's victory over "the buffoon, Davy Crockett." In truth the loss is almost a relief -- David is tired of constantly living up to the "Davy" legend. He realizes that Davy is more popular than David, and no longer even needs him -- or helps him, for that matter, and David resents it. Because while the Davy of legend is off riding a streak of lightning and wringing the tail off Halley's Comet, the real David is turning 49 and losing his seat in Congress. He tells the press, "I never expect to offer my name again to the public for any office." David discovers too late that being a ring-tailed roarer makes him nationally known, but it doesn't make him a successful Congressman. The American people want Davy Crockett exploring the wilderness, not spewing useless Anti-Jackson rhetoric on the floor of the House and watching Bills die in Congress. And David's not that excited about it anymore, either. Politics finally succeeds where poverty, malaria, and Indian wars could not -- the "Go Ahead" man finally gives up. David is tired of the constant campaigning, the arguing, the partisanship, and most of all, the compromise. He's even tired of Tennessee. Beaten once more, he has to start over yet again. David looks for a fresh start in a new country -- the unspoiled paradise in Mexico that Sam Houston told him about in 1834: Texas.
Music: "The Ballad of Davy Crockett" from The Best of the Kentucky Headhunters: Still Pickin'. |